pitchfork

 

Opinion
By James Pavel

  • Why not just wait until December before unveiling such a (potentially) influential list? You know, when half the decade is actually over?
  • If this list is to be received as scripture, then Kanye West is the greatest and most celebrated rapper in hip-hop history.
  • Pitchfork is remarkable at ignoring albums that are actually culturally relevant. Sure, Deerhunter’s Halcyon is a decent release, but at what point was it ever more recognizable and relatable than Arcade Fire’s Reflektor album? Arcade Fire is the only band in the world where it isn’t insane to mark them as modern-day legends and yet their most recent work is slotted in the 88th position on this list, as if they are some brigade of high-school drop outs still perfecting their instruments.
  • They can argue this point, but Pitchfork is a pseudo-underground site for hipsters and closet hipsters. How can they possibly not crown “The Suburbs” as the greatest album since 2010? It’s the first time in eons where the coolest album of the year was actually recognized as the album of the year at the Grammys. The Grammys remains the highest honour, and it’s a shame Pitchfork can’t at least allow this victory to take significance in the realm of consideration.
  • Number five is a brave and just placement of Beach House’s Teenage Dream. This might be the strongest female vocalist-driven album of the past ten years, never mind since 2010.
  • Pitchfork constantly over-compensate for their strange obsession with terrible new-wave screamo by awkwardly and confusingly awarding hip-hop with the highest accolades (#1 and #2 albums of the decade..thus far
  • Love the inclusion of Vampire Weekend’s Contra
Advertisements